Whether I’m covering golf at the Olympics, the DP World Tour, or EGA events, my approach remains the same. There are no fixed timings, specific locations, or required lighting conditions. It’s entirely up to my creative vision. My goal is to produce a set of images that showcase the beauty of the course, the intensity of the competition, and the players in their best light. Just like golf, photography is a game played on a five-inch course – the distance between your ears.